- Muay Thai
- Royal Muay
- The Muay Renaissance
- Legendary heroes
- The Tradition of Wai Khru
- Approaching the Ring Rites (Kuen Suu Weitee)
- Ritual Dance of Homage (Wai Khru Ram Muay)
- Muay Thai techniques
- Punching techniques (Chok)
- Elbow techniques (dhee sork)
- Kicking techniques (dhe)
- Knee techniques (dhee kao)
- Foot-thrust techniques (teep)
- The clinch
- Defense against attacks
- The rules
- Wai kru, ram muay and round definition
- Use in other Martial Arts
- In popular culture
- All Pages
Wai Khru Muay Thai is a tradition which goes back to ancient times, it is not an optional ritual or reserved for special occasions: the official Muay Thai regulations specify that both fighters must perform the Wai Khru Ram Muay before each and every bout. It's a tradition in which fighters pay respect to their teachers, parents and things they hold sacred and pray for their safety and victory. The ritual has been developed in different ways, in different regions, even under different teachers and therefore it is theoretically impossible for two fighters to perform identical Wai Khru.
The Wai Khru is graceful and aesthetic ritual, both practical and spiritual. In a practical sense, it functions as a final pre-fight warm-up and gives the fighter some time alone before the fight to collect his thoughts. It can be divided into three main sections:
- The Royal Homage Sequence
This was originally intended to show devotion to the King, going back to the days when fighters were selected to display their skills in front of him. It has three subsections: Prostration, Outstretched Arms and Act of Homage.
- The Kneeling Sequence
This section is performed in a kneeling posture, one knee on the ground and the other leg out in front. the fighter pivots around on the spot to repeat the same sequence facing all four sides of the ring, a tradition which comes from Krabi Krabong.
- The Standing Sequence
In this section, the fighters go out from the center of the ring in one direction, to perform the Dramatic Interlude. Some fighters imitate the motions of "Rama Shooting an Arrow" from the Ramakien, a hunter, a soldier, or an executioner. Some fighters use this ritual to attempt to scare their opponents, commonly by stomping around them. But in a deeper sense, the fighter is expressing religious devotion, humility, and gratitude. Transcending both physical and temporal limitations, he opens himself to the divine presence and allows it to infuse his heart.
Removal of the Head Circlet (Pitee Tod Mongkon)
After the Wai Khru is completed, the fighters return to their own corners for the Removal of the Head Circlet Ritual (Pitee Tod Mongkon). The fighter stands in his own corner, lowers his head and raises hands to his chest for panom mue wai pose, while khru muay standing outside of the ropes facing the fighter, raises his own hands to return the wai. A fighter maintains the posture while the teacher utters an incantation and blows three times on top of fighters' head before removing the Mongkon. On the completion of this ritual and after a review of the rules by the judge and a glove shake, the contest may begin.